I’m drawn to places that sit outside the map—an unmarked desert after hours of driving, or a community rarely seen by visitors. These spaces recalibrate my sense of scale and remind me how vast the world is. Coming from a design practice shaped by speed and iteration, film photography becomes a deliberate contrast. It slows the act of looking and turns each frame into a considered, irreversible decision. With no preview and no repetition, every photograph is a single moment of attention, fixed in time.